New features in the Lumetri color panel and Lumetri scopes allow you to be more creative with color than ever. A single click lets you toggle between full-res and proxy. For times when the media you need to work with is heavier than your system can manage – for example, when you want to work on a lightweight portable device – you can now generate proxies on ingest, automatically associating them with the native full-resolution media.

This release of Premiere Pro also brings support for more native formats than ever including 6K and 8K files from the RED Weapon camera. If your workflow requires a transcode, you can easily set Premiere Pro or Media Encoder to handle that step for you too. You can set Premiere Pro to copy media to a specific location on your machine as it imports, and even begin editing immediately while your media copies in the background. New Media Management features in both Premiere Pro and Media Encoder give you much greater control over the handling of your files during the ingest process, and allow for more flexibility when working with very large media.

All of these new releases will be available to Creative Cloud members later this year, and will be demonstrated at the forthcoming NAB Show in Las Vegas. Today we’re thrilled to be revealing what’s coming next to our professional video and audio desktop applications, with new features coming to Adobe Premiere Pro, Adobe Media Encoder, Adobe Audition and Adobe After Effects. What’s Coming Next in Adobe Premiere Pro CC and Media Encoder CC

Adobe media encoder cc transcoding